In this raucous, satirical fable, an ensemble of 5 actors performs a host of characters across generations of captivity and freedom dreams. While music, dance and absurdities abound, at the center are the characters of Deadlust and Icarus – a father and son who lose each other in the American labyrinth of policing and prisons. With over 7,000,000 people currently living under correctional supervision in the US, award-winning playwright Marcus Gardley takes aim at one of the most troubling afflictions of our times with provocative theatrical wit.
2014 : The Irondale Center, Brooklyn NY
Company
Written by Marcus Gardley
Directed by Seth Bockley
Composer: Imani Uzuri
Choreography: Camille A. Brown
Performed by:
Sheldon Best
Leon Addison Brown
Jonathan-David
Mikeah Jennings
Andrés Munar
Set Design: Mimi Lien
Costume Design: Gabriel Berry
Lighting Design: Scott Bolman
Sound Design: Stowe Nelson
Props Design: Raphael Mishler
Production Manager: Nathan Lemoine
Stage Manager: Sunny Stapleton
Assistant Stage Manager: Lily Perlmutter
Lead Producer: RJ Maccani
“I am fascinated with the untold or the forgotten story. I am a playwright, a poet and a gravedigger and I am passionate about digging up the stories that get buried under our shoes. With the murder of Oscar Grant by an Oakland cop, I felt determined to create something for my hometown and my country. These feelings were made even more real when I was interrogated by the police on my way home from a play in Berkeley, California. I was harassed because apparently I fit the description of a serial rapist in the area and they had a hard time believing that I was just an artist doing work in the community about race relations and history. Since that time, I have been obsessed with telling the national story of the complex relationship that law enforcement has in our communities.” – Playwright, Marcus Gardley
Press
“The Box is exuberant, at times almost joyful, and wickedly funny.” – WNYC
“Deeply personal and deeply felt.”
– New York Times
“Every so often a piece of theater draws directly upon this collective reservoir – drawing out symbols and metaphors that translate the unconscious storehouse of memory into visible, palpable form. Marcus Gardley brilliantly gives form to Twain’s notion of a rhyming history in his new play The Box: A Black Comedy.”
– NY Theatre Review